Gokul Nath G.

Gokul Nath G. isn’t exactly a household name, but if you’ve ever stumbled across the flick "Luca" from 2019, or maybe "Jallianwala Bagh" or "Dhuniyavinte Orattath," you’ve seen his touch. The guy’s got a knack for digging into stories that punch you in the gut—or at least make you think a little harder about the world. "Luca," for example, isn’t just another coming-of-age tale. It’s messy, raw, and weirdly beautiful, following a protagonist who’s trying to wade through personal chaos and the expectations dumped on him by everyone around. There’s this constant tension simmering under the surface, like the whole thing could explode at any second. The visuals are moody, but not in that over-the-top way; they just feel real. Then there’s "Jallianwala Bagh," which doesn’t pull any punches. It’s heavy, loaded with emotion, and makes you sit with the discomfort of history. Gokul Nath G. doesn’t let you look away. And "Dhuniyavinte Orattath" is more experimental, bending genres and playing with narrative structure so you’re never quite sure where it’s going next. He’s not afraid to get weird or poetic, either. Basically, Gokul Nath G. brings a kind of offbeat, restless energy to his movies. He digs into the messiness of people and history, and he’s not afraid to leave things unresolved, which, honestly, makes his work stick with you way after the credits roll.