Andrei Blitznetsov

Andrei Blitznetsov’s filmography is kinda wild, honestly. The guy switches gears like he’s got a personal grudge against sticking to one genre. Take Pathan (2023) for example—massive action sequences, spy stuff, a bit outrageous but in a fun, popcorn way. It’s almost like a love letter to classic Bollywood blockbusters, with its swagger and all those larger-than-life moments. Shah Rukh Khan’s pulling off stunts like he’s still in his twenties, and you can tell Blitznetsov’s got a real soft spot for spectacle. Then there’s Farzi (2023), which flips the script. Now we’re deep-diving into the world of counterfeiters and con artists. Way grittier, a little more cerebral, and it’s got this slick, almost pulpy vibe. The writing’s sharp, and the pacing never really lets you get comfortable. You’re always waiting for the next double-cross. It almost feels like Blitznetsov is poking fun at the genre, but also totally in love with it. And then, out of nowhere, you’ve got Majhi Prarthana (2025) coming up. Details are scarce, but buzz says we’re getting something way more introspective—maybe even spiritual? Word on the street is that he’s shifting gears again, diving into emotional territory with a story about hope, faith, and personal redemption. Nobody really knows what to expect, but if his past work’s anything to go by, it’s not gonna be boring. Blitznetsov just refuses to be predictable, and honestly, that’s half the fun watching his movies.