Durgesh Chauhan

Durgesh Chauhan’s filmography isn’t exactly packed with fluff—he’s got his name on some seriously bold projects. Let’s talk Batla House (2019). This movie grabs you by the collar and drags you straight into the chaos after a real-life police encounter in Delhi. Chauhan’s work isn’t just background noise; he’s part of that gritty, nerve-jangling tension that keeps you glued to your seat. The story doesn’t sugarcoat anything. You’re riding shotgun with the cops, the media, and the public—all scrambling to make sense of what actually happened. It’s messy, intense, and honestly, pretty damn gripping. Then there’s Bharat Ane Nenu (2018), which, wow, takes you straight into the storm of Indian politics. Chauhan’s contribution here helps anchor the story, which is all about a young guy thrust into the role of chief minister (talk about pressure cooker situations). Corruption’s everywhere, people are angry, and the plot’s moving at a breakneck pace. The movie doesn’t shy away from the ugly side of power—it dives right in and dares you to keep up. And don’t even get me started on Mulk (2018). This one’s a gut punch. It throws you into the heart of a family fighting for their dignity after being accused of terrorism. Chauhan’s role adds to the rawness of it all. The story pulls no punches—it’s about prejudice, fear, and the way society can turn on its own. Every scene feels personal, like you’re eavesdropping on conversations nobody else is supposed to hear. So, yeah, Chauhan’s not just collecting credits. He’s out there making sure these stories hit hard.