Franziska Suppee

Franziska Suppee’s filmography has this kind of wild variety that keeps you guessing. She’s not some one-note performer—her projects bounce from dystopian sci-fi to tense thrillers. Take Tides (2021), for example. That movie throws you right into a post-apocalyptic world, where Earth’s basically trashed and humanity’s clinging by its fingernails. It’s gritty, desperate, and honestly, a bit too real sometimes. Suppee’s involvement gives it an edge—not just doom and gloom, but a little hope flickering through all the hopelessness. The atmosphere’s thick, the stakes are sky-high, and the characters? Messy, complicated, human. Jump to Exterritorial (2025), and things get a whole lot weirder. This one’s all about boundaries—literal and figurative. Territories, space (maybe outer, maybe inner), the stuff that divides and connects us. There’s this overarching vibe of unease, like nothing’s quite as it seems, and you’re always waiting for the other shoe to drop. Suppee fits right in, bringing a sense of unpredictability. And then there’s You Are Wanted (2017). It’s a fast-paced thriller, but with this twisty, paranoid energy. Think surveillance, tech gone rogue, everyone watching everyone else. Suppee’s role pulls you in, making you question who to trust (spoiler: probably no one). Her performances never feel phoned in; she digs deep, finds the messy truth in her characters, and just kind of lets it all hang out. Across everything, she brings a rawness that ties these wildly different projects together.