Raam Kandha

Raam Kandha’s filmography is a bit of a wild ride, honestly. Aakari Notu (2022) makes you question every life choice you ever made, in a good way. It’s got that weirdly sharp blend of dark humor and raw emotion, all tangled up in a plot that just chucks you into the deep end from the very first scene. There’s this whole thing about chasing money—like, literal cash—and how it drags a totally average guy into a spiral of absolute chaos. Nobody in that movie gets off easy. Greed, desperation, you name it—every character’s got their own mess to deal with, and the way they crash into each other is kind of hilarious and sad at the same time. Plus, the pacing? Fast enough to make your head spin, but you never feel lost. Then you’ve got Mana Iddari Premakatha, set for 2025. Word on the street is it’s a total 180—think romance, but not the sugar-coated type. Raam seems to be flipping the script, diving into the messiness of love where nothing goes as planned. No one’s running through flower fields here. Instead, you’re getting those moments that feel way too real, with all the awkwardness and second-guessing that comes with falling for someone. It’s supposed to explore how two people can be so close, yet totally clueless about what the other’s feeling. If the buzz is right, it’ll probably hit you right in the feels without ever getting sappy. Basically, Kandha’s projects don’t really do “predictable,” which is half the fun.