Tayler Haynes

Tayler Haynes doesn’t exactly have a household name—yet. But if you’ve been anywhere near a screen in the past year or so, odds are high you’ve seen him pop up in some absolute bangers. First up, “Road House” (2024). Yeah, the one everyone’s been buzzing about, not the old Swayze classic, but the new, adrenaline-fueled reboot where fists and one-liners fly with reckless abandon. Haynes slides right in, giving his role some real edge—he’s not just background noise. You’ll find yourself actually remembering his face, which is saying something considering how wild that movie gets. Then there’s “Lisa Frankenstein” (2024), which is, honestly, a wild ride all on its own. It’s got that off-kilter, dark comedy vibe, and Haynes fits right in with the quirky crowd. He’s not the main character, but he’s got this knack for making even a few scenes stick in your mind. Something about his timing—it just works, especially in a movie that refuses to take itself too seriously. And don’t sleep on “Boston Strangler” (2023). This one’s a totally different beast—gritty, tense, and way more grounded. Haynes flexes his range here, diving into a role that’s worlds apart from the other two. He nails the serious, almost haunted energy that movie needed. Honestly, it’s impressive seeing someone jump from action to comedy to thriller without missing a beat. So yeah, Tayler Haynes might not have a million magazine covers yet, but the guy’s clearly got chops. Keep an eye out—he’s on the up.