Evangeline Barrosse

Evangeline Barrosse’s name has been floating around indie film circles for a while now. She’s got this knack for picking projects that aren’t just background noise—you actually remember her face, her vibe, the way she throws herself into these roles. Neighborhood (2023) is a good example. That movie isn’t just another slice-of-life, it digs into messy friendships, the weird politics of apartment buildings, and the stuff people try to hide behind their doors. Evangeline’s character? She’s not your typical neighbor; she’s got secrets, yeah, but she’s also the glue that keeps the whole story from unraveling. Jump back a bit to Impact (2018)—that film’s a whole different beast. It’s sharper, a little darker, and honestly, Evangeline just owns every scene she’s in. There’s this rawness to her performance, like she’s not afraid to get ugly or emotional. The story itself deals with consequences—one split-second decision and suddenly everything’s upside down. Evangeline’s character wrestles with guilt, hope, and this desperate need for redemption, and you can’t help but get sucked into her world. Now, Winter Spring Summer or Fall (2024) is on the horizon, and from the early buzz, it sounds like another chance for her to shine. This one leans into the chaos and beauty of young adulthood, switching gears between seasons, relationships, and all the uncertainty that comes with growing up. Evangeline’s always had this way of making you feel like you’ve lived a little more after watching her—she’s unpredictable, magnetic, and just real.