Ariane Giroux-Dallaire

Ariane Giroux-Dallaire might not be a household name (yet), but she’s been popping up in some pretty wild projects lately. If you caught Crimes of the Future back in 2022, you probably noticed her—she’s got this kind of magnetic presence that just draws your eyes, even in scenes loaded with all that Cronenberg weirdness. The movie itself? Oh man, it’s a trip. Set in this freaky, not-so-distant future where people are growing random organs for kicks and art, Giroux-Dallaire slides right into that bizarre world like she’s been living there her whole life. Her character isn’t just background noise, either; she adds this layer of realness to a story that’s otherwise drenched in body horror and philosophical rambling. Fast forward to 2024, and she’s back in The Shrouds. Now, this one’s a little more under-the-radar, but if you’re into dark mysteries with a pinch of tech paranoia, it’s got your name on it. Giroux-Dallaire’s role is even more dialed in here—she’s tangled up in this story about grief, obsession, and some pretty sketchy technology that lets people keep tabs on their dead loved ones. There’s a lot going on: secrets, lies, and some unexpected twists that keep you guessing. She’s not just filling space; her performance kind of lingers with you after the credits roll. Basically, if you haven’t clocked her work yet, it’s probably time to start paying attention—she’s got that “next big thing” energy, and it’s only a matter of time before everyone else catches on.