Aadyn Encalarde

Aadyn Encalarde’s film credits are kind of all over the place, in the best possible way. You’ve got “Sinners” (2025) – which, honestly, is a trip. It’s dark, it’s messy, and it doesn’t apologize for any of it. The whole thing dives into the tangled web of guilt, revenge, and those ugly secrets people drag around like old luggage. No one in the cast is really a “good guy.” Everyone’s got something twisted going on, and by the end, you might find yourself rooting for the least terrible option. It’s gritty and a little bit uncomfortable, but that’s the point. Then you’ve got “The Boogeyman” (2023), which is a completely different vibe. Creepy shadows, that knot-in-your-stomach suspense, and jump scares that actually get you? Yeah, it’s one of those. It plays on every childhood fear you tried to forget, and then drags them right back under your bed. Encalarde doesn’t overdo it – the performance feels real, not like someone’s just hamming it up for a horror flick. It’s the kind of movie where you’ll check your closet before going to sleep, even if you’re technically a grown-up. And if you need a total switch-up, there’s “Girls Trip” (2017). Wild, hilarious, and honestly, a little bit raunchy in the best possible way. The energy is so contagious you can’t help but laugh out loud. Encalarde’s screen time might be brief, but there’s no missing the spark. It’s all about that chaotic, unfiltered friendship energy—practically impossible to watch without texting your own friends after. So yeah, quite the range.