Nick Fenton

Nick Fenton’s name keeps popping up in films that just sort of stick with you. He’s the editor behind “American Animals,” that wild true-crime flick from 2018 where a bunch of college guys think it’s a great idea to pull off a heist. It’s one of those movies that messes with your head a little – jumping between interviews with the real people and the dramatized version, and honestly, the editing carries so much of the tension. If you’re into stories that blur the line between fact and fiction, Fenton’s style actually cranks it up a notch. Then there’s “Nitram” from 2021. Not exactly a light watch. It dives deep into the lead-up to a horrific real-life tragedy in Australia, and the whole thing is just so uncomfortable, in a good way. The way the film lingers, the pacing – you can feel Fenton’s fingerprints all over it. It’s never showy, but the editing sort of creeps under your skin, which is pretty rare. And don’t forget “The Double” from 2013, which is basically a Kafkaesque fever dream brought to life. Jesse Eisenberg plays two versions of himself in a world that feels both hilarious and soul-crushing. The cuts are sharp, the rhythm’s off-kilter, and you end up feeling just as out of place as the main character. Fenton’s work isn’t loud or flashy, but somehow, it always leaves an impression. If you’re into films that take risks and mess with your expectations, his filmography’s worth a dive.