Jad Ben Ammar

Jad Ben Ammar’s filmography reads like a wild grab bag of genres and moods, but there’s a certain restless energy tying it all together. Take Deep Fear (2023) for starters—this isn’t your garden-variety horror flick. You get these tight, claustrophobic scenes set in places that make you question your life choices, packed with more tension than a group chat before a breakup. It’s the kind of movie that refuses to let you get comfy. One minute you think you’ve figured out what’s lurking, and then—bam—something way weirder and more unsettling pops up. Then there’s The Bunker Game (2022), which dials things up another notch. Imagine a bunch of people holed up in a game that’s gone way off the rails, and nobody seems to know where the game ends and real danger begins. There’s paranoia, some nasty mind games, and a sense of dread that just keeps building. You end up second-guessing every single character, wondering who’s faking and who’s actually losing it. Sisters in Arms (2019) is this hard-hitting war drama that doesn’t shy away from the ugliness of conflict. It tracks a squad of women fighters, all grit and heart, navigating both their own traumas and the chaos around them. It’s not just about the action; there’s a raw honesty in the way these characters are written. Ben Ammar pulls you right into their world, making you feel every loss and tiny victory. Basically, his films kind of dare you to look away—and good luck with that.