Personal details
- Parents: Mohd Shah Hasim
- Professions: Actor
Shah Reza Mohd Shah’s name keeps popping up in some of the most intense movies out there lately. The guy’s got a knack for gritty, adrenaline-packed roles that just stick with you, you know? Take “Blood Brothers: Bara Naga” (2025) for example—he dives deep into a world where loyalty is everything, and betrayal lurks around every corner. The film tosses you right into the thick of gang rivalries, shattered alliances, and those nail-biting moments when you’re not sure who’s gonna make it out alive. Shah’s character isn’t just some guy in the background either; he’s at the heart of the action, wrestling with his own demons while trying to keep his crew together. Then there’s “Kahar: Kapla High Council” (2024), which goes in a totally different direction but still packs that same punch. This one’s steeped in political drama, with Shah navigating the cutthroat world of high-stakes leadership. It’s all about power moves, secret agendas, and the kind of backroom deals that make your skin crawl. He plays his role with this raw intensity, making you question who’s really pulling the strings. And don’t sleep on “Sangkar” (2019), where Shah gets down and dirty in the world of MMA fighting. It’s brutal—sweat, blood, and a whole lotta pride on the line. He brings this gritty realism to the screen that makes every punch feel like it’s landing right in your gut. All in all, Shah Reza Mohd Shah is the kind of actor who doesn’t just play a role—he lives it, making every film he’s in worth watching.
Nineteen years at Era (yeah, the one that used to be Era FM)—that’s almost two decades of riding the radio waves. Imagine clocking in every day, shaping playlists, maybe even surviving the odd technical meltdown or two. You’d see music trends come and go, probably witness the birth and slow death of ringtone charts, and definitely master the art of quick banter between tracks. The station, with all its name changes and branding drama, sticks around as the backdrop for a whole chunk of your life. And honestly, after nineteen years, you’re not just a voice on the air—you’re basically part of the furniture. Colleagues come and go, new management rolls in with “big ideas,” but you? Still there, spinning tracks, chatting up listeners, maybe even influencing a whole generation’s taste in music. That kind of run? Not something you see every day in radio.
Konidela Ram Charan
Mohd Shah Hasim and Surekha