David Yap

David Yap, yeah, that guy’s got a seriously wild filmography. So, Poisson (2014) sticks out as this trippy, slow-burn drama that pulls you in with its offbeat story about chance and fate—think a bit of chaos theory meets indie heartbreak. Yap’s style? It isn’t all polish and shine; there’s some grit and rawness there, like he’s not afraid to let the seams show. Blood Brothers: Bara Naga (2025) is a whole different beast—action-packed, gritty, almost operatic. Two brothers on opposite sides of a blood feud, and it’s not your typical “good guy vs bad guy” thing, either. There’s a lot of emotional baggage, messy backstories, and enough double-crossing to make your head spin. The fight scenes go hard, but it’s the tension between loyalty and betrayal that really slaps you in the face. Now, Carrot Rocker—that’s a curveball. Forget whatever “rocker” makes you think of, because Yap just throws convention out the window. It’s got this quirky, off-kilter energy, blending comedy with a kind of melancholy that sneaks up on you. You’ll be laughing one second and then, boom, existential dread. The characters are weird, in a lovable way, and the music? Absolute bangers mixed with stuff that makes you wonder what you’re even listening to. All in all, Yap’s movies refuse to sit in a box. Each one’s a different ride, but they’ve all got that signature unpredictability and heart.