Siddhant Sheth

Siddhant Sheth, the name’s been bouncing around in Bengali cinema circles for a while now, and honestly, the guy’s filmography is pretty wild. You look at Borbaad (2025) and it’s like, alright, here’s someone who isn’t afraid to dive into gritty, chaotic energy. That film practically hums with restless youth and rebellion, every frame practically sweating with tension. Sheth doesn’t just direct—he gets under the skin of his characters, and yeah, sometimes it’s messy, but that’s half the point. Then there’s Byomkesh (2017). Man, that one’s a whole different ride. Classic detective vibes, but with Sheth’s twist: shadows everywhere, puzzles inside puzzles, and no easy answers. You get the sense he loves the old-school whodunit, but he’s not afraid to mess with your head along the way. And don’t sleep on Karnasubarner Guptodhon (2022), either. That flick digs into treasure-hunt territory, spinning history and adventure together like it’s second nature. Sheth really knows how to keep a story moving—one minute you’re following cryptic clues, next thing you know, you’re knee-deep in ancient conspiracies and double-crosses. There’s this pulpy, fun energy to his work, but also a willingness to push boundaries and get a little weird. Overall, Siddhant Sheth’s got that rare thing: a style you notice. Whether he’s crafting mysteries, thrillers, or wild rides through Bengali history, you can bet he’ll keep you guessing—and probably a little on edge, too.