Kris Eiamsakulrat

Kris Eiamsakulrat—now that's a name that’s been popping up in some pretty wild projects lately. If you’re into films that actually stick with you instead of fading as soon as the credits roll, you’ve probably bumped into his work. He’s got this knack for slipping into roles that aren’t just surface-level, ya know? Take “A Useful Ghost” (2025), for example. That one’s not your run-of-the-mill supernatural flick. It toys with the whole “what’s real and what’s not” vibe, and Kris brings a weird, jittery energy that makes you question everything you’re seeing. Not to mention, there’s this undercurrent of sadness in his performance—like he’s haunted by more than just literal ghosts. Then there’s “The Monk and the Gun” (2023). Set against a backdrop that’s as stunning as it is unsettling, Kris steps into a world where tradition and chaos collide. He’s not just some side character either—his presence pulls you in, and there’s this tension simmering under the surface. It’s a movie that doesn’t let you breathe easy, and honestly, Kris is a big reason why. And don’t sleep on “Pabrik Gula” (2025). This one’s gritty, a little grimy, and totally unafraid to show the ugly side of ambition. Kris dives headfirst into a character who’s rough around the edges but oddly sympathetic. There’s something about the way he plays desperation—raw, a bit reckless, but you can’t look away. He’s definitely not playing it safe, and that’s what makes his performances stick.