George Cragg

George Cragg isn’t exactly a household name, but if you’ve seen films like Colectiv (2019), Earth Mama (2023), or I Am Not a Witch (2017), you’ve definitely bumped into his work—sometimes in the background, sometimes right up front. The guy’s a bit of a chameleon, slipping into all sorts of roles and projects that couldn’t be more different from each other. Colectiv is this raw, gut-punch of a documentary that rips the lid off corruption and tragedy in Romania, and Cragg’s involvement just adds this extra layer of authenticity and grit. Then, fast-forward to Earth Mama, and you’re hit with something totally different—a soulful, intimate portrait of motherhood, struggle, and those hard choices that kind of choke you up a bit. He’s got this knack for picking projects that actually say something, you know? I Am Not a Witch is another wild ride altogether, balancing dark satire with heartbreaking reality, and Cragg somehow fits right in, no matter the tone or setting. He gravitates toward stories that don’t pull punches, films that dig deep, poke at uncomfortable truths, or shine a light where nobody wants to look. Every time his name pops up in the credits, you can pretty much guarantee the movie’s going to leave a mark, even if you walk away feeling a little rattled. He’s not flashy, just steady—one of those people you end up respecting more with every project. No drama, just solid work that sticks with you.