Rachel Lister

Rachel Lister’s filmography is kind of all over the map, in the best way possible. You look at her work in Con Mum (2025), and she’s not just phoning it in—she’s got this knack for digging into the weird, messy corners of human relationships. Seriously, that project alone makes you double-take. Then there’s Hometown (2019), which is one of those low-key gems that sneaks up on you. Lister’s performance doesn’t scream for your attention, but by the end, you realize she’s the glue holding the whole thing together. She brings this raw, lived-in energy that makes the small-town drama feel real, almost like you’re eavesdropping on actual people instead of just watching actors go through the motions. And don’t even get me started on Abandoned Engineering (2016). Yeah, it’s more of a documentary vibe, but Lister’s involvement there adds this subtle storytelling spice that keeps you hooked. There’s a way she approaches these half-forgotten places that makes you care about rusting bridges and crumbling factories way more than you’d expect. It’s not just facts and history—it’s almost poetic, honestly. So, whether she’s front and center in a drama or lending her voice to an exploration of forgotten structures, Rachel Lister just has this gift for making you give a damn. She’s got range, she’s got heart, and she’s not afraid to get her hands dirty in the material. That’s what makes her body of work worth checking out.