Jim Flynn

Jim Flynn, straight outta Boston, has been chopping up film reels and gluing together scenes way before Bridgerton had anyone swooning over Regency-era sideburns. The dude’s got editing credits that bounce from the spine-chilling corridors of The Haunting of Hill House (seriously, that show had people sleeping with the lights on) to the glossy, tangled drama of The Other Woman, where cheating hearts get their comeuppance and friendship wins the day, kind of. You’ll spot Flynn’s fingerprints all over Bridgerton too—those snappy cuts between scandalous ballrooms and whispered hallway gossip? Yeah, that’s his jam. There’s a rhythm to the way he edits, something that keeps your eyes glued to the screen whether it’s ghosts lurking in Hill House or high society’s messiest secrets unraveling over tea. Ask people in the biz, and they’ll tell you Flynn’s not the loudest guy in the room, but his work yells for him. He’s got a knack for pacing, a sense for when to let a moment breathe and when to yank the rug out. Doesn’t matter if it’s horror, romance, or a bit of both—he’s the steady hand behind the chaos. Boston born, Hollywood sharpened, and still cranking out edits that make you stay up too late.