Siddharth-Garima

Siddharth-Garima, honestly, these two have really stamped their mark on Bollywood’s big, epic dramas. Their name’s practically glued to the kind of movies that look like moving paintings and feel like grand old legends coming back to life. Remember the madness of Ram-leela? Yeah, that’s them. This wild, tragic love story drenched in color and chaos, spinning Shakespeare’s Romeo and Juliet into a Gujarati carnival of violence and passion. No one left the theater humming with dry eyes, that’s for sure. Then there’s Bajirao Mastani, which—let’s be real—set a new bar for historical romance. You’ve got forbidden love, sword fights, heartbreak, those insane dance numbers, and a kind of visual extravaganza that just makes your jaw drop. The dialogues? Heavy, poetic, super quotable. People still post them on Instagram like they’re life advice. And don’t even get started on Padmaavat. That one? Total fever dream. Twisted obsession, unbreakable honor, queens who’d sooner walk into fire than surrender—it’s all there, wrapped in gold, silk, and a whole lot of dramatic lighting. The villains are memorable, the heroes are tragic, and the women? Powerhouses, every one of them. Siddharth-Garima’s stories basically blend old-school myth with fresh attitude, full of messy emotions and high stakes. They don’t just write scripts—they conjure up entire worlds, and honestly, Bollywood would be a lot duller without their flair for the over-the-top.