Tim Paterson

Tim Paterson’s filmography is a weirdly fascinating little trip through different genres and even eras, honestly. Let’s start with “Breath” (2017). This one’s got the sun-bleached, gritty feel of an Australian coming-of-age story—surfing, rebellion, and that sort of dangerous curiosity teenagers have when they’re teetering on the edge of adulthood. You can practically smell the saltwater and hear the crashing waves. The film digs into friendship, risk, and toxic masculinity, but it never gets too preachy. Instead, it just sort of punches you in the gut with how real it feels, and you kinda wish you could go back and warn these kids about life coming at them fast. Then there’s “Diddy: The Making of a Bad Boy” (2025). So, this one’s a whole different vibe—it’s loud, ambitious, full of swagger. A biopic that doesn’t mess around, diving right into the chaos and glitz of the hip-hop world. It’s got the beats, the drama, the rise-from-nothing energy, and, yeah, a fair bit of ego. But under all that bravado, there’s a real look at what ambition can cost, who gets hurt, and what it means to build a legacy when everyone’s watching. The music scenes alone are worth the ride. Last up, “Die Silicon Valley-Revolution” (2017) swings back to tech—a documentary style, sharp and almost frenetic. It pulls you into the madness of start-up culture, the egos, the caffeine addictions, and the wild ideas that somehow become reality. It’s not just code and venture capital; it’s about the people who risk everything to change the world, for better or worse. Wild ride, honestly.