David Corona

David Corona’s career is honestly kind of a fascinating ride, not your run-of-the-mill path at all. The guy pops up in some unexpected places. So, you’ve got Ad Vitam (2025) on the list—a project that’s been getting a fair bit of buzz, and for good reason. It’s not every day someone jumps from the world of radio to a big cinematic venture, but Corona seems to handle it with a weird sort of ease. And QUB radio (2022)? That’s where you really see his range. The dude knows how to work a mic, no question, and there’s this unfiltered energy to his hosting style that people can’t help but vibe with. It’s raw, sometimes a bit chaotic, but never boring. Then, there’s C à dire (2007), which, let’s be real, feels like a lifetime ago. But it shows he’s been at this for a while, not just some flash-in-the-pan. The whole trajectory screams versatility. One minute he’s deep-diving into heavy topics on air, next thing you know, he’s on set, probably cracking jokes between takes. It’s this mix of intensity and off-the-cuff humor that makes him memorable. If you’re looking for someone who refuses to stay in one lane, that’s Corona. He brings this realness to everything, whether it’s behind the scenes or front and center. Not many people can pull that off without coming across fake, but he nails it.