Jordi Berenguer

Jordi Berenguer, born smack in the heart of Barcelona on January 13, 1962, has been poking around the film industry for quite a while, wearing a handful of hats like production manager and producer. You might’ve heard his name pop up when credits roll on projects like The Titan (2018)—that one where things get all sci-fi and a bit mind-bendy, honestly—or Den of Thieves: Pantera (2025), which, yeah, isn’t even out yet, but people are already buzzing about it. Throw in The Bookshop (2017) too, a movie that’s way more subtle, kind of a slow burn, but it sticks with you. Jordi’s approach? Not exactly the cookie-cutter, by-the-numbers type. He’s known for getting his hands dirty, diving deep into the chaos on set, juggling egos and last-minute disasters like it’s just another Tuesday. Folks who’ve worked with him swear he’s got this knack for pulling teams together when everything’s going sideways—a bit like herding cats, but somehow it works. He’s not the guy who chases the spotlight, but his fingerprints end up all over the final product, in the best way. He’s been around the block, seen the industry shift from old-school film reels to digital everything. Adaptable is an understatement. Anyone who’s tried to keep a production afloat knows that’s the name of the game. Berenguer? He’s not just surviving—he’s been thriving, quietly shaping the stories that stick with us. So, next time you watch one of his movies, maybe give a little nod to the man behind the curtain.