Stian Tveiten

Stian Tveiten’s filmography is a bit of a wild ride, honestly. The guy’s got range that’ll make your head spin. First off, he’s part of “Bukkene Bruse på Badeland” (2023), which is basically Norway’s answer to throwing classic fairy tales into a blender and hitting the “let’s get weird” button. You’ve got talking goats, water slides, and that off-beat, slightly wacky humor that only Scandinavians seem to nail. It’s one of those family flicks where parents actually laugh along with their kids and don’t feel like they're being tortured with animated nonsense. Then you swing over to “Louder Than Bombs” (2015), and it’s like, whoa, total vibe shift. That movie’s heavy, man. It’s a slow-burn drama about a family trying to deal with grief after the matriarch, a war photographer, dies. Jesse Eisenberg and Gabriel Byrne are in it, so you know there’s gonna be some serious acting. Stian’s not front and center, but his supporting role adds this realness to the background—like, you notice him, even if you’re not supposed to. The whole film is beautifully shot, with this melancholy atmosphere that sticks with you way after the credits roll. Now, “Battle” (2018) is a whole other story. It’s a dance drama, which, yeah, sounds cheesy on paper, but it’s got heart. The story follows a girl who’s got everything—money, talent, looks—and then her world gets flipped. Suddenly, she’s got to fight for her passion, and dance is her way out. There’s romance, there’s struggle, and the dance scenes actually slap. Stian pops up here too, bringing his usual energy, and gives the whole thing a more grounded, genuine feel.