Murali Krishna

Murali Krishna’s filmography is kind of wild, honestly. If you’ve ever watched Mahanati (2018), you already know the dude can weave a story that hits you right in the gut. That one? Pure gold—old-school glamour, heartbreak, and a vibe that makes you want to Google all the real-life drama behind it. But that’s just the start. Jump to UI (2024), and things get trippy. The guy clearly isn’t afraid to mess with reality a little. UI is basically one of those movies that makes you question if your phone is actually listening to you, or if you’re just losing it. High-tech, sleek, slightly paranoid—there’s a lot going on, and the visuals are a total feast for your eyeballs. And then there’s Dreamcatcher (2025), which, let’s be real, is already getting buzz even before it drops. Not your average flick. Word is, it dives deep into the psychology of dreams—think Inception but with a dash of indie weirdness and probably fewer spinning tops. The trailers tease just enough to make you seriously curious: surreal landscapes, cryptic symbols, and that eerie feeling you get when you wake up from a nap and can’t tell what’s real. Murali Krishna doesn’t really do “safe” movies. There’s always something a little unpredictable, something that sticks with you after the credits roll. If you’re into movies that don’t spoon-feed you the answers, his stuff is pretty much a must-watch.