Ryan McParland

Ryan McParland’s career? Man, this guy’s got range. He pops up in “Modi: Three Days on the Wing of Madness” (2024) and honestly, that title alone sounds like someone threw a dart at a board covered in wild ideas. The film? It’s a feverish, off-balance trip into the mind of an artist losing grip on reality—Modigliani’s world, but cranked up to eleven. Ryan’s not just there to look pretty either, he dives headlong into chaos, painting a portrait of obsession and genius that’s as messy as it is magnetic. You can almost smell the paint fumes and the bad decisions. But he doesn’t stop there. He’s also tangled up in “Lear Rex”—which, let’s be real, mashes up Shakespeare and prehistoric vibes in ways nobody saw coming. Ryan brings a kind of raw, unpredictable energy, like he might bite someone or deliver a soliloquy or both, depending on his mood. The film’s got that stormy, tragic flavor, but with a twist that keeps you guessing. And “Say Nothing” (2024)? He’s right in the thick of it—caught between loyalty, silence, and the ugly truth. The movie’s tense as hell, full of whisper networks and secrets so heavy you feel them in your gut. Ryan’s performance? He’s like a lit fuse, just waiting to blow. Whether he’s unravelling or holding it together by a thread, you can’t look away. All in all, McParland’s filmography is anything but dull—he’s the guy you call when you want the screen to crackle.