Martin Ahlgren

Martin Ahlgren’s work behind the camera? Man, it’s just something else. Born in Scotland, yeah, but honestly, his name pops up everywhere in TV and film that actually looks good. People might not always realize it, but he’s the guy who gives those shows their whole vibe. Take 3 Body Problem (2024)—you know, that wild, mind-bending sci-fi where reality’s just sort of slippery? The visuals slap. That’s Martin. He’s got this knack for making you feel like you’re part of something epic, like you could reach out and touch the chaos swirling on the screen. Then there’s The Plot Against America (2020), which, let’s be real, doesn’t exactly go easy on your nerves. The lighting, those tense little shadows creeping into every scene… Martin’s fingerprints are all over that paranoia. It’s like he knows exactly how to make you squirm, but you can’t look away. He’s not just pointing and shooting—he’s building the whole mood, drawing you in. And Altered Carbon (2018)? Oh man, cyberpunk never looked so slick. That glossy, neon-soaked world feels alive, gritty, dangerous—like stepping into a fever dream. Again, Martin’s eye just gets it. He’s always shifting between styles, never stuck in one lane. Some DPs only have one trick, but Martin flips genres like it’s nothing. Whether it’s alternate history, deep-fried sci-fi, or anything in between, he’s the guy you want making it all look iconic. Seriously, if you care about cinematography, keep an eye on what he’s doing next.