Hong Jae-Sik

Hong Jae-Sik’s filmography is a wild ride, honestly. Dude’s been crafting stories that stick in your head way after the credits roll. Take Op-pa saeng-gak from 2016—this one’s got that slice-of-life flavor but it isn’t your usual sappy fare. It digs into awkward family dinners, random crushes, all the messy stuff that makes you cringe and laugh at the same time. Characters feel so real you’d swear you’ve met them at some weird family reunion. Then there’s You Are the Apple of My Eye (2024)—yeah, the title’s a bit of a mouthful, but it totally delivers on all the nostalgia and heartache. It chases those bittersweet first loves, the kind that punch you in the gut and make you wish you could hit rewind. Think late-night texts, missed chances, and the kind of longing that makes you question your life choices. It’s funny in places you don’t expect, and the awkward moments? Chef’s kiss. Haengbog-ui nala, also from 2024, flips the mood. It’s got this dreamy, almost surreal vibe, but it’s still grounded in everyday struggles—people chasing happiness in a world that keeps moving the goalposts. The film doesn’t sugarcoat anything. It shows the hustle, the letdowns, and those rare wins that make it all worth it. Hong Jae-Sik’s got range, no doubt. He’s not afraid to dig into the weird corners of life and let his characters stumble through, flaws and all.

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  • Professions: Cinematographer, Camera and Electrical Department

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