Bose Venkat

bose venkat’s a name you’ll catch on the credits of films like kanni maadam (2020), sir (2024), and that vijay kumar untitled project folks keep whispering about. the guy’s carved this interesting spot for himself in the tamil film scene—actor, director, sometimes both, and never afraid to take on roles that aren’t all sunshine and rainbows. kanni maadam? that one’s gritty, totally off the usual masala path, with bose not just acting but pulling the strings behind the camera too. and if you’ve caught sir, you know he’s not shy about tackling social issues head-on, giving you characters who feel like someone you might actually run into on the street. he doesn’t just play it safe with “hero” roles; nah, he dives into flawed, layered people, giving them quirks and edges. his style’s not flashy, but you can’t miss the sincerity—whether he’s making you root for the underdog or squirm in your seat. and with that upcoming vijay kumar flick? who knows what’s next, but if bose venkat’s involved, you can bet it won’t be boring. the dude’s got this knack for picking scripts that actually say something, and he brings a kind of raw honesty that’s getting rare these days. keep an eye on him, especially if you’re tired of the same old faces and want stories that stick with you after the credits roll.