Jithu Madhavan

Jithu Madhavan’s name has been popping up all over the place, and honestly, it’s no wonder, considering the kind of films he’s been dropping lately. Let’s talk about “Aavesham” (2024) for a sec. That movie—man, it’s wild. Set in the bustling heart of Bangalore, it follows three freshers who stumble into the most chaotic, hilarious mess you could imagine, thanks to a local gangster with a personality bigger than life itself. The whole film just oozes attitude, and the comedy? Properly offbeat, the kind that sticks with you after the credits roll. Jithu brings such a raw, authentic flavor to the screen, you almost forget you’re watching fiction. Flip back a year, and you’ve got “Romancham” (2023), which—believe it or not—manages to blend horror and comedy in a way that actually works. The story revolves around a bunch of broke young guys sharing a flat, who decide to mess around with a Ouija board. As you’d guess, things spiral out of control. But honestly, it’s the characters’ banter and the awkward, ridiculous situations they get into that really make the movie pop. There’s something so relatable about the chaos of young adulthood depicted here, and Jithu nails it, making you laugh and squirm at the same time. Now, “Painkili” (2025) is still under wraps, but the buzz is real. If his track record’s anything to go by, it’s probably going to be another wild ride, full of unpredictable moments and sharp, witty dialogue. Jithu Madhavan isn’t just another director—he’s got a real knack for turning ordinary chaos into cinematic gold.