Mia Fenton

Mia Fenton’s got this wild mix of projects under her belt, and honestly, it’s a little bit all over the map—in the best way. First off, Damsel (2024) isn’t your typical fairytale flick. No, really, it’s not. You’re tossed right into this gritty, twisted world where the usual “damsel in distress” thing gets flipped on its head. Mia’s character? She’s not here to be rescued—she’s outsmarting dragons, dodging shady royals, and just generally being a menace to anyone who underestimates her. It’s got some real bite, way more than anyone expected. Then you jump to The Little Mermaid (2023), and it’s a whole different vibe. Mia brings the kind of charm that makes you believe in magic again, honestly. The underwater scenes? Gorgeous. There’s this genuine sweetness to her take on the story, but she still slips in a little edge—like, she’s not just singing to seagulls; she’s plotting her next move. It’s classic, but with a wink. And don’t even get me started on Three Bags Full: A Sheep Detective Movie (2026). Yeah, you read that right. Sheep. Detective. It’s bonkers and brilliant all at once. Mia voices a character who helps solve mysteries in a flock full of suspects (and wool). Super quirky, a little bit absurd, and actually pretty heartwarming. She’s clearly not afraid to go weird, and it seriously pays off. Every project’s got its own flavor, but Mia’s got a knack for making you care, no matter how out-there things get.