Nick Davis

Nick Davis has been in the mix on some pretty wild films, honestly. The dude had a hand in Wonder Woman (2017), which—yeah, the one that basically made everyone sit up and go, “Wait, superhero movies can actually be good?” That film was a full-on adrenaline rush, with Gal Gadot kicking serious ass and a bunch of epic set pieces that really set a new bar for comic book blockbusters. Davis worked his magic behind the scenes, dialing in the mind-blowing visuals and making the action feel big, bold, and, let’s be real, pretty damn fun. But that’s not all. Prometheus (2012) is a whole different beast. If you’re into sci-fi that actually messes with your head, this one’s a trip. The visuals are straight-up bonkers—alien landscapes, creepy creatures, the whole shebang. Davis’s work just cranks up the tension and makes every scene feel like something’s lurking in the shadows, waiting to jump out. It’s got that classic Ridley Scott mood, and Davis helped bring it to life in all its unsettling glory. And don’t sleep on The Last Days on Mars (2013), either. This flick’s got astronauts losing their minds on the red planet, paranoia running wild, and a nasty infection spreading faster than you can say, “Houston, we have a problem.” Davis brought the Martian nightmare to life with visuals that are gritty, claustrophobic, and, honestly, just a little bit terrifying. Bottom line, if Nick Davis is in the credits, you know you’re in for some killer visuals and a wild ride.