Vlad Radulescu

Vlad’s the kind of guy who slides between boardrooms and film sets without missing a beat. Two decades wrangling management and finance, but honestly? His heart’s tangled up in film reels, storyboards, and the buzz of a new script. You want someone to figure out how to pull off a tricky shoot or magically find the cash for an indie gem? That’s his sweet spot, no question. He’s not just some suit, either—he’s rolled up his sleeves, co-producing a string of features that didn’t just fill seats but actually snagged awards. All that action happened while he was steering Avanpost, which, if you’ve ever dabbled in Eastern European cinema, you know is kind of a big deal. The place isn’t just a production house; it’s a launchpad for wild ideas, risky projects, and stories that stick with you after the credits roll. Vlad’s been there from the start, dreaming up the strategy, tweaking the culture, and making sure nobody forgets why the company exists in the first place: to churn out great cinema, no matter what. He’s stubborn about that, too—about not letting the company drift off course, even when the industry gets weird or trends shift overnight. For Vlad, cinema’s not just a business. It’s obsession, craft, and a bit of chaos all knotted together. And that’s exactly why people keep coming back to work with him—because he gets it, from the numbers to the nitty-gritty of getting a film over the finish line.