Personal details
- Professions: Cinematographer, Camera and Electrical Department
Adrian Teijido’s got a reputation that sticks, especially if you’ve caught any of his work on screen. You wanna talk about someone who knows how to spin a story with a camera? That’s him. He’s got credits on “Sergio” from 2020, this intense biopic that digs into the life of Sérgio Vieira de Mello. The film’s not just drama for drama’s sake—it’s heavy, packed with global politics, personal struggles, and the kind of emotional punches that don’t let you look away. Teijido’s touch? You can feel it in the way every shot lingers, the way the chaos and beauty of Rio or Baghdad just kinda seep into your bones. But then, there’s “Narcos”—yeah, that “Narcos.” The Netflix juggernaut that got everyone obsessed with Pablo Escobar and the whole drug trade saga. Teijido’s visuals? Gritty as hell, raw, sometimes almost too real. He brings out the dust, the grime, the sharp tension in every alley and mansion. It’s not pretty, it’s not polished—it's the real deal. And don’t sleep on “No One Left Behind” from 2019 either. Not the most mainstream flick, but it’s got Teijido’s signature written all over it: sharp contrasts, moody lighting, and a kind of visual storytelling that doesn’t need to shout to get your attention. The dude’s not just a cinematographer—he’s a vibe, a mood-setter, someone who brings stories to life just by knowing where to point the lens and when to let a moment breathe.
Member of ABC (Associação Brasileira De Cinematografia), which, if you’re into Brazilian cinema, is kind of a big deal. These folks don’t just hand out memberships to anyone with a camera phone. We’re talking about the pros—the storytellers and magicians behind the scenes who shape how you see the world on screen. The ABC pulls together directors of photography, camera operators, those lighting wizards, and just about anyone who makes movies look… well, actually cinematic. Being part of this association means you’re probably knee-deep in film reels, arguing over lenses, and chasing the perfect light for that one impossible shot. It’s not just a club; it’s more like a badge of honor in the Brazilian film industry. Members tend to have their hands in some of the country’s top productions, from gritty dramas to mind-bending indies. If you spot this listed in someone’s credits, you know they've got some serious filmmaking chops.
Konidela Ram Charan