Raihan Khan

Raihan Khan’s got a bit of a reputation for diving into stories that don’t mess around. In Ada Surga di Rumahmu, he delivers a slice of life that hits close to home—literally. The film’s not just about family, it’s about the kind of lessons you only learn when you get your hands dirty. The characters don’t always have it easy, but there’s this sense that, through all the chaos and misunderstandings, home is where you figure out what really matters. Raihan doesn’t shy away from the messy stuff—regret, forgiveness, all that jazz. Then there’s The Siege at Thorn High, and man, that’s a whole different beast. The setting’s this high school under lockdown, and the tension’s thick enough to cut with a knife. It’s less about the action and more about what happens to people under pressure. Kids and teachers, everyone’s got secrets, everyone’s got something to lose. The way Raihan unpacks their fears and loyalties—yeah, it gets under your skin. Flip over to Gangster, and you’re staring down the barrel of the criminal underworld. It’s gritty, kinda relentless, and nobody gets off easy. Betrayals, chases, backroom deals—Raihan’s not just telling a crime story, he’s dragging you through it by the collar. Each film shows a different side of him, but there’s this thread: he digs deep, finds the humanity, and never lets you look away.