Ruoqing Fu

Ruoqing Fu’s filmography is like a wild ride through some of the most epic sci-fi and fantasy landscapes out there. First up, The Meg 2: The Trench (2023)—honestly, if you’re into giant prehistoric sharks, explosive action, and that whole “humans vs. nature on steroids” vibe, this one’s your ticket. It’s not subtle. The stakes are high, the water’s darker, and you just know there’s always something lurking beneath the surface, ready to chomp. Fu’s involvement just adds to the energy, tossing you right back into the mayhem. Then there’s The Wandering Earth II (2023). If you’re even remotely into disaster movies or you love seeing humanity scramble to save itself from cosmic doom, this flick’s your jam. The scale is massive. We’re talking whole-planet survival, mad science, and visuals that’ll make your jaw drop. The plot twists don’t pull any punches, and there’s this relentless pace that keeps you glued to your seat. Seriously, you can almost feel the desperation as the world literally moves to dodge a dying sun. Dragonkeeper (2024) is a bit of a curveball—less disaster, more magic. Think ancient China, dragons, mystical secrets, and a young girl caught in the middle of it all. It’s got that old-school fantasy heart, but with slick animation and a story that’s actually got some depth. Fu brings a fresh vibe, nailing that sense of wonder and danger. The dragons aren’t just set decoration—they’ve got character, and the world feels alive, dangerous, and totally worth getting lost in.