Patrick Shay

Patrick isn’t just another face in New York’s wild production scene. The guy’s all over the place—producing, editing, juggling both on set without missing a beat. You know his name if you’ve watched “The Greatest,” “Lake George,” or “Entitled.” Not just credits, but actual proof he’s got his fingerprints all over projects that matter. People call him a jack of all trades, but honestly, he’s nailed a few of them so well it’s kind of unfair. You’ll catch him on set as a producer, but don’t get it twisted; he’s also the live editor, cutting and shaping things as they happen. It’s almost like he’s allergic to waiting until post-production to start making things awesome—he swears real editing kicks off the second the cameras roll. His portfolio? It’s stacked. He’s dipped his toes in everything, from the chaos of production to the nitty gritty of post. Somehow, he manages to keep every part of the process glued together with this laser-focused creative vision. He cares about the big picture, but he’s also a total geek for the technical side—nothing gets past him. Whether it’s a small indie project or something way bigger, Patrick’s the kind of guy who’ll make sure every piece fits, every shot has a purpose, and nothing feels slapped together. That’s what separates him from the crowd: he doesn’t just do the job—he owns it, start to finish.