Eric Ettori

Eric Ettori, the guy behind The Kingdom (2024), really threw himself into this wild drama that spins around power, loyalty, and some truly questionable family ties. The movie kinda smacks you in the face with its opening scene—a royal family teetering on the edge of full-blown collapse, secrets bubbling up like lava. Ettori doesn’t mess around. He drops you right into the thick of court intrigue, with backstabbing, whispered alliances, and betrayals that sting way worse than paper cuts. You’ve got this king, right? He’s wrestling with the ghosts of his past and the wolves at his door. His kids aren’t exactly helping; each one’s got their own agenda, and nobody’s playing nice. The eldest son? Power-hungry and slick. The daughter? She’s smarter than the whole castle put together, but no one ever listens to her. The youngest is just trying not to drown in all the drama. And let’s not forget the queen—she’s not just standing in the background looking pretty, she’s pulling strings in the shadows, maybe even sharper than the king himself. Ettori keeps the pace snappy, throwing in twists that’ll have you yelling at your screen. The Kingdom isn’t just about who gets the crown—it’s about what people are willing to lose to grab it. It’s messy, raw, and honestly, kinda addictive. By the time the credits roll, you’ll probably still be trying to decide who, if anyone, you actually trust. Welcome to the chaos.