Sarah Morris

Sarah Morris has a vibe that’s hard to pin down—kind of like the cool art teacher who actually lets you use the good markers. Her career’s a wild mix, not exactly what you’d expect if you’re only familiar with her recent turn in “Small Things Like These” (2024). That film? Quietly devastating. Set in an Irish town all decked out for Christmas, Morris slips into the world of small-town secrets and moral crossroads, her performance just simmering under the surface. She’s not showy, she just… gets it. There’s a kind of raw honesty, the sort you can’t fake. But don’t get stuck thinking she’s all about that slow-burn drama. Rewind to “X Marks the Spot” (2021) and you’ll see her totally flip the script. That one’s a tense, twisty ride—gritty, sharp, and way more chaotic. She manages to carry this sly humor, even in the middle of the messiest scenes. It’s not easy to pull off, but she does it without breaking a sweat. And then there's “Headcases” (2019)—a bit under the radar, yet honestly, it’s where you see her willingness to dive into offbeat, even slightly bonkers territory. She doesn’t just play it safe; she leans into roles that let her get her hands dirty, so to speak. Sarah Morris isn’t the type to coast on one-note performances. She’s built a filmography that feels alive—messy, unpredictable, sometimes funny, sometimes achingly real. She’s one to watch, if you’re not already paying attention.