Stanislav Tiunov

Stanislav Tiunov’s filmography is kinda wild if you think about it. The guy’s got range—jumping from the heavy, gut-punching drama of Bucha (2023) to the wild, neon-lit ride of Date in Vegas (2020) and then swinging back around to the behind-the-scenes chaos in Prodyuser (2019). Bucha really sticks with you, honestly. It’s not just a war story. It’s more like a cold slap in the face about what people do when everything falls apart. Tiunov brings this intensity that makes you believe every second—like you’re stuck right there in the middle of the mess, feeling every heartbeat. But don’t box him in as just the “serious drama guy.” Date in Vegas? Total 180. The movie’s got all the madcap energy you’d expect from a Vegas story—awkward hookups, bad decisions, the kind of ridiculous moments that make you cringe and laugh at the same time. Tiunov doesn’t just coast, either. He’s got this way of making even the dumbest situations weirdly heartfelt. And then Prodyuser… oh man, that one’s like a love letter and a roast to the entertainment business all at once. The egos, the breakdowns, the scramble to make something great out of total chaos—it’s all there, and Tiunov eats it up. He’s not afraid to look ridiculous or raw, which makes his characters feel real, even when everything around them is spiraling. The dude knows how to keep things interesting, that’s for sure.