Toby Nalbandian

Toby Nalbandian’s filmography is a bit of a wild ride, honestly. You’ve got “The Lego Movie” from 2014, which exploded way bigger than anyone probably expected—animated bricks, zippy jokes, and that catchy “Everything Is Awesome” song you still can’t get out of your head. He was in the mix for that, rubbing elbows with big studio folks and helping bring those little plastic characters to life. Fast forward a decade, and he’s got “Turn Me On” in 2024, which is a whole different beast. That one leans into the offbeat indie vibe—think quirkier storytelling, a bit of bite, and definitely not for kids this time around. It’s like he’s got a soft spot for stories that walk the line between heartfelt and just a tad weird. Then there’s “The Signals.” Not as mainstream as the others, but it’s got a solid cult following. Fans dig into it for the layered plot and the way it juggles sci-fi twists without losing sight of the characters. Nalbandian seems to have a talent for hopping between genres and tones without missing a step. Whether he’s working on something massively commercial or a smaller, weirder project, he keeps things fresh. You never quite know what he’ll do next, but that’s half the fun. Honestly, his range is impressive—he’s the kind of creator who keeps you guessing, and somehow, it always works.