Gregory Schmidt

Gregory Schmidt’s filmography isn’t exactly your everyday popcorn fare—unless your idea of a fun night involves jumping between a rascally rabbit, edgy coming-of-age tales, and cryptic sci-fi. He’s the guy who helped bring Peter Rabbit (2018) to life—that cheeky, mischievous bunny who’s always getting into trouble, outsmarting Mr. McGregor, and basically turning a cozy English garden into his personal playground. Kids adore him, and, honestly, adults kind of love the chaos too. But Schmidt doesn’t just hang his hat on talking animals. Fast forward to 2024, and you’ve got Turn Me On, which takes a pretty sharp left turn: it’s bold, it’s raw, and it’s not afraid to get a little weird with its themes. The movie pokes at what makes us tick, what we crave, and how messy things can get when desires run wild—definitely not a bedtime story. Then there’s The Signals, which flips the script yet again, tossing the audience into a world where nothing’s quite as it seems. Expect a healthy dose of suspense, some mind-bending twists, and maybe a few late-night existential questions. Schmidt’s got a knack for jumping genres and keeping things fresh. One minute, he’s making you laugh at a rabbit’s antics; the next, he’s got you questioning reality or squirming in your seat. If you’re into directors who refuse to be pinned down, Schmidt’s filmography is a wild little ride worth hopping on.