Camila del Campo

Camila del Campo’s career is like a mixtape of wild creativity and fearless choices. She doesn’t just dip her toes into new genres—she cannonballs in, making you wonder what she’ll do next. Take “The Astronaut Lovers” (2024), for example. On paper, it’s a space romance, but in her hands, it morphs into something trippy and existential. She manages to capture that feeling of floating—literally and emotionally—in zero gravity, where every whispered secret or sideways glance feels magnified. The chemistry between the leads? Electric. You get sucked in, even if you’re not the sci-fi type. Then there’s “Magic Farm” (2025). The title sounds like a cutesy kids’ show, but nope—Camila goes way deeper. Think enchanted fields, talking animals with attitude, and a plot that sneaks up and smacks you with big ideas about family and belonging. The visuals are straight out of a fever dream: colors that pop, creatures you wish were real, and just enough darkness to keep things interesting. She brings a weird, whimsical energy to every scene, and honestly, you can’t look away. And don’t sleep on her music video work—look at “Richard Coleman feat Andrea Echeverri: Arañas Bebé” (2023). It’s not just a clip—it’s a mini movie, packed with surreal imagery and sly humor. You watch it once, you laugh; watch it again, and you catch all these little details you missed the first time. Basically, Camila del Campo doesn’t just tell stories—she builds whole worlds, and she invites you to get lost in them.