Mansour Ash

Mansour Ash isn’t exactly a household name outside of certain cinephile circles, but he’s been carving out a nice little niche for himself in the world of cinema. If you’ve seen Alkhallat+ (2022), you know the guy’s got a knack for twisting ordinary situations into wild, unpredictable stories. That movie’s basically a fever dream of chaos, dark humor, and all the messy stuff people get up to when they think nobody’s watching. He doesn’t bother sugarcoating anything; it’s raw, it’s funny, and honestly, you kind of wish you were at those parties—until things go sideways, of course. Then there’s Hwjn (2023), which is a total curveball. Ash dives deep into folklore and fantasy, pulling you into a world where ancient stories bleed into modern life. It’s got this vibe where you’re never really sure what’s real and what’s myth, and that’s half the fun. The film juggles themes of identity, tradition, and supernatural mischief without ever feeling forced. It’s weirdly relatable, even if you’ve never had to deal with a jinn showing up in your living room. Valley Road (2022) is more grounded, but don’t let that fool you. It’s a story about journeys—literal and metaphorical—set against the backdrop of a changing landscape. Characters are on the move, chasing dreams or just running from their own shadows. Ash brings the scenery to life, making the road itself feel like a character. If you’re into films that make you think while still giving you something to feel, his work definitely deserves a spot on your watchlist.