Fakhreddine Amri

Fakhreddine Amri? The guy’s a legend in editing circles, no exaggeration. Born and bred in Tunisia, he’s clocked over 15 years hacking away at film reels and digital timelines—yeah, he’s got the scars and the stories. The man’s fingerprints are all over some seriously heavy-hitting features. Ever caught “De La Guerre” by Fadhel Jaziri? That gritty edge, the seamless cuts? That’s Fakhreddine’s touch. Or “Babylon” from Alaeddine Slim—he shaped that chaos into something hypnotic. Most recently, he’s been behind “Night Courier” with Ali Kalthami, which, honestly, feels like a fever dream in the best way. He’s not just a button pusher, either. Fakhreddine knows his way around every editing suite you can name—Premiere, Avid, DaVinci, the whole circus. He’s got this sixth sense for pacing, rhythm, the moments to let a shot breathe or cut it just before the audience blinks. Colleagues say he’s a beast in collaboration—no diva nonsense, just sharp instincts and a knack for pulling the best out of a scene. He’s obsessed with the details, too, hunting for those tiny tweaks that make a scene pop. Doesn’t matter if it’s a full-blown movie, some TV gig, or a snappy commercial—he’s in it for the story, always. When Fakhreddine’s in the chair, you can bet the final cut’s gonna hit different.