Alexis Edison

Laws of Man (2024) tosses you into this gritty, not-so-distant future where justice is more of a joke than a principle. Alexis Edison stars as a sharp-tongued, battle-scarred detective who’s seen enough corruption to last ten lifetimes. She’s been burned by the system, chewed up, spat out, and yet—she just can’t let things slide. The city’s got that neon-soaked, rain-slicked look, and everyone’s hiding something. Cops, politicians, even the folks who seem innocent at first glance… they’re all tangled up in some shady business. Edison’s character gets sucked into a high-profile case after a string of bizarre murders shakes up the city’s elite. The victims? All connected, but no one wants to spill the truth. Every clue leads to a dead end, or worse, a setup. You start to wonder if she’s solving the case or just digging her own grave. The further she wades in, the more she realizes the bad guys aren’t just wearing ski masks—they’re in the boardrooms, the precincts, the mayor’s office. There’s no trusty sidekick, just a growing list of people she can’t trust. The tension ratchets up with every scene, and you can feel the paranoia crawling in. In a world where everyone’s bending the law, Edison’s fight isn’t just about catching a killer—it’s about deciding which lines she’s willing to cross to get justice, if that’s even possible anymore. It’s dark, raw, and refuses to give easy answers.