Chase Hinton

Chase Hinton’s got this wild little filmography that really makes you do a double take. First off, there’s “Bride Hard” (2025), which, no joke, is exactly as chaotic as the title sounds—think wedding bells, action sequences, maybe some flying cake, and a whole bunch of characters who look like they’d rather be anywhere else but caught up in the drama. Hinton dives in headfirst, balancing slapstick comedy with these weirdly emotional beats that kinda catch you off guard. The guy’s got this knack for making you care even when things get ridiculous. Then there’s “The Other Girl,” which totally flips the vibe. Way more introspective, way less explosive, you know? Here, Hinton pulls out this quieter, more thoughtful performance, letting the story breathe. It’s less about big moments and more about these little details—awkward glances, half-finished sentences, the stuff people never say out loud. The movie’s got layers, and Hinton’s right there, peeling ‘em back. And if you check out “IRL” (2019), you’ll see a whole other side. This one’s all about real life vs. online personas—a bit meta, honestly, with Hinton playing around with those blurred lines between who we are and who we pretend to be. The film leans into that uncomfortable space where digital and actual reality smash together, and Hinton manages to keep it grounded, even when things get weird. Altogether, his work’s kinda like a mixtape: unexpected, messy, and totally worth checking out.