Jed Palmer

Jed Palmer, man, this guy’s fingerprints are all over some wild rides in film and TV. If you’ve caught The Royal Hotel (2023), you already know his music kinda seeps under your skin, giving everything this uneasy, pulsating energy. Seriously, it’s like he takes the tension, cranks it up, and just lets it simmer. The whole vibe of that film owes a ton to his score—sorta icy, claustrophobic, makes you wish you’d left the lights on. Then there’s Black Snow (2022), which, let’s be real, isn’t your average crime mystery. Palmer’s touch is all over this one too; the music is both haunting and oddly beautiful, threading through the story about secrets in a small Australian town. He manages to blend electronic sounds with these moody, almost ghostly melodies. It’s not just background noise—it’s like a character in its own right, whispering that something’s always lurking just outta sight. And, oh boy, if you haven’t seen Upgrade (2018), you’re missing out. Palmer goes full synthwave, blasting the film with this gritty, futuristic soundtrack. It’s punchy, raw, and feels like it crawled out of some neon-lit nightmare. The action scenes? Way more intense because of his work. He makes you feel every jolt, every twist, just with sound. All in all, Jed Palmer’s not just a composer—he’s a mood architect. You watch anything he’s scored, and you remember how it made you feel, even after the credits roll.

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  • Professions: Composer

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