Tim Dellow

Tim Dellow’s name pops up in some seriously eclectic corners of the film and music world, and honestly, the man seems allergic to boredom. If you’ve ever stumbled into the rabbit hole that is "Blur: To the End" (2024), you know what I’m talking about. That film doesn’t just go through the motions of a typical music doc—it gets right in there, peeling back the layers of Blur’s reunion, the weird tension, the nostalgia, even the unfiltered bits that most bands would rather stuff in a sock drawer. It’s messy, funny, a little bittersweet, and it doesn’t shy away from those moments where you can practically taste the awkwardness in the air. But Dellow’s not just about legendary Britpop bands. Flip to "Rockfeedback Presents. Virgin Atlantic Airlines" (2010), and you’re in a completely different universe. That project’s got its own kind of energy—mixing music, travel, and this cheeky, almost rebellious spirit. It’s like he’s constantly trying to mash up genres and see what explodes. There’s a sense of playfulness, but also a weird fascination with what happens when people are shoved together in strange situations, whether it’s a band on tour or artists stuck on a plane. And then, if that isn’t enough, there’s "An Entirely MAD! Conversation with Rob Brydon & Sparks" (2025). That one’s a fever dream—part interview, part comedy, part who-even-knows-what. Brydon’s razor wit bouncing off Sparks’ oddball charm, with Dellow sort of egging them on from behind the camera. It’s unpredictable, chaotic, and kind of brilliant. Basically, if you spot Tim Dellow’s name in the credits, expect something you’ve never quite seen before—always just off-kilter enough to keep things interesting.