Personal details
- Birth Date: 1956-04-06
- Birth Location: Kannur, Kerala, India
- Professions: Actor, Writer, Director
Sreenivasan, born on April 6th, 1956, in Kannur, Kerala, has that classic “everyman” vibe you just can’t fake. He’s not just some dude who wandered into movies—he’s basically a legend in Malayalam cinema. Look at his work in Sandesham (1991): razor-sharp satire, family drama, and political jabs all mashed together, with Sreenivasan’s writing and acting turning what could’ve been a boring flick into absolute gold. And then there’s Vadakkunokkiyantram (1989). The guy takes this small, everyday insecurity—jealousy, self-doubt—and blows it up into something hilarious and painfully relatable. Sreenivasan’s humor? It sneaks up on you, pokes at your flaws, and then makes you laugh at them. And Akkare Akkare Akkare (1990), man, that’s a comedy road trip you don’t forget. Sreenivasan and Mohanlal running around like headless chickens, chasing clues, botching things up, and somehow, you’re rooting for them the whole time. He’s not just acting—he’s living these roles, throwing in little quirks, that deadpan delivery, the side-eye glances. The writing’s so tight, it’s like he’s got a sixth sense for what’ll click with people. Just a dude from Kannur who ended up leaving this massive mark on Indian cinema, making the ordinary feel extraordinary. And honestly, you can’t talk about Malayalam movies without dropping his name, it’s kinda wild how much his touch has shaped the industry.
He actually wrapped up his acting course at the Adayar Film Institute—not exactly Hollywood, but in the Tamil film world, that’s where the serious talent gets forged. Loads of big names have walked those halls, dreaming big and sometimes crashing harder. The place isn’t just some run-of-the-mill acting school; it’s like, the real deal for anyone trying to make it in South Indian cinema. Students slog through intense workshops, stage plays, and film shoots, picking up tricks from old-school legends and new-age directors who drop in for masterclasses. You end up learning way more than just dialogue delivery—you pick up body language, improv, and how not to freeze when a camera is shoved in your face. Graduates from there usually carry a kind of swagger; they know their craft and aren’t shy about it. So, when you hear someone’s an Adayar alum, trust me, they’ve put in the work.
April 6, 1956
Konidela Ram Charan
Kannur, Kerala, India
Yes, Dhyan Sreenivasan
69 years old