Sabbir Ahmed Shohag

Sabbir Ahmed Shohag, yeah, the dude’s got film running through his veins. He’s not just some random name on the credits—nope, he’s one of those folks who actually lives and breathes cinema. After grinding through the Film and Television department at Jagannath University in Dhaka (which, let’s be honest, isn’t exactly a walk in the park), Shohag didn’t just sit around waiting for a break. He threw himself straight into the chaos of filmmaking. Now, he’s calling shots as an Executive Producer at Kanon Films, that production house you probably know for churning out some seriously bold projects under the wing of Raihan Rafi. And Shohag’s not hiding behind a desk, either. He’s got his fingerprints all over short films and TV fiction, actually directing stuff that tries to say something a little different. No cookie-cutter stories here. But get this—he didn’t just wake up one day and get handed a director’s chair. He’s done the grind: assistant director, line producer, writer… basically, if there’s a hat, he’s worn it. That’s the kind of hands-on messiness you only get from someone who genuinely wants to know every corner of the craft. His work’s got this energy—like, you can tell he’s not afraid to get his hands dirty, experiment, push a little where others might play it safe. What’s cool is you can see all those pieces come together whenever his name pops up in the credits. It’s not about fame or just checking boxes; it’s about making stuff that sticks with you, that actually means something. That’s Sabbir Ahmed Shohag in a nutshell.